Qavavau Manumie is a Kinngait (Cape Dorset), NU based artist who focuses on printmaking and drawing. He began working as a printmaker in the 1980s at the West Baffin Eskimo Cooperative and quickly became a master printmaker. His work has been included in most Cape Dorset Print Collections from the mid 1990s onwards. In addition to printmaking Manumie has been drawing since his late teens and is a part of a new generation of artists that are re-defining subject matter in contemporary Inuit art. While Manumie’s prints are inventive his drawings are more reflective of the depth of his distinctive vision; and it is only in recent years where his drawings have reached a wider audience. He pulls from reality for his drawings, and in particular that of the natural environment, which he blends with a lively imagination to create colourful and skilled works that are humorous and whimsical in both their portrayal and in the title.
A consistent theme in Manumie’s works are the ‘Inuralaat’ or little people . These tiny figures are put in relation to everyday objects such as a harpoon, a shovel and a television resulting in larger than life objects that the Inuralaat still manage to carry around. When he was a child, Manumie’s father told him tales of the Inuralaat, warning him to keep away if he saw their tracks as they might attack . In his drawings, the figures always seem to be moving and working with objects, offering a humorous insight into human-object relations and how such tools dominate daily life.
Manumie also draws the natural world, which he depicts with the same amount of humour and inventiveness. His landscapes are rarely straightforward scenes; even when he captures the ocean waves rolling in, his title references Sedna evoking the unseen beneath the waves. His landscapes are also politicized; for example in untitled (disaster) (2007) a deep crack in the ice seems to be growing toward a settlement of people. The warming environment is emphasized by the deep blue of the water visible around the crack in the thin ice. The tiny figures will be forced to relocate as their home may soon dissolve into the water.
Manumie’s work combines both gritty scenes of reality and fantastical scenes taken from the artist’s imagination. He has a unique sensibility, which has contributed to his success as a contemporary artist. Manumie has exhibited work across Canada and abroad with pieces of his art as part of the public collections of institutions such as National Gallery of Canada, Ottawa, ON and the Canadian Museum of History, Gatineau, QC.
 John Thompson, “Kavavaow Mannomee breathes new life into Inuit art with his Disneyesque Fantasies,” Nunatsiaq Online, accessed January 26, 2017, http://www.nunatsiaqonline.ca/stories/article/Kavavaow_Mannomee_breathes_new_life_into_Inuit_art_with_his_Disneyesque_fan/.
 Thompson, “Kavavaow Mannomee”, 2017.